Archive for 2013

Synopsis

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Urban Tropics Autumn/Winter 2013 Synopsis
Samantha McLean


Urban Tropics is an exploration of my two very different homes, Tauranga and Wellington. Through the juxtaposition of elements extracted and inspired by each environment, a very unique collection was born. Wellington is very much a man-made, angular concrete jungle; this is expressed throughout the collection through the use of geometric pattern and print, along with angular sharp lines.  Tauranga on the other hand is more of a tropical environment, surrounded by nature and flowing organic lines. I have used the very vibrant colour palette and the occasional more soft, draped garment to represent Tauranga.

This collection is not designed for the faint hearted. It contains a lively mix of tropical colours, contrasted with strong angular lines and geometric patterns.
Urban Tropics has a very strong sense of confidence and a high-spirited atmosphere accompanies the bold garments.
­­This collection certainly packs a punch and will add a unique twist to any Winter Wardrobe.


The goal for this collection if I had the resources to do so would be do produce all garments and do so with around 3 colour variations of each dress, tee shirt, ruched pant and possible trouser, so that the collection is versatile and can be mixed and matched to ensure something to suit a wider range of people with different styles and tastes. Although I still want to keep it more exclusive than the mass market so would only aim to stock one of each size in every colour combination.

The selected mid/diffusion market influenced many design decisions that were made in regard to the finishings, fabric choices and appropriate complexity of the garments. Firstly fabrics of a mid range quality were needed in this collection as the garments needed to be constructed at a reasonable price in-order to keep to the mid market price range and keep accessibility to a large customer base. I selected fabrics that would wear well, felt and looked of a nice quality and ones that would not stretch and distort after just one wear as you may see happening extensively in the mass market.
Garments were kept rather simple, but a level of complexity was still present in order to keep an exclusive feel to the collection.
The methods of topstitching, tailored flys, cuffs, waist darts, angular hemlines, unique necklines and a vibrant colour palette… are all important to give the collection unique and interesting features that set it apart from other collections and ‘the norm’, while still keeping the function and accessibility of the pieces.
The Wellington stores I see my collection sitting along-side price range wise, are the likes of Witchery, Area 51 and Country Road. I want to ensure that the garments are accessible to as bigger audience as possible, and that’s why I’ve chosen the Mid Market as-appose to the High End market with stores such as Zambesi and Karen Walker.

Lineup breakdown

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-->  (Please refer to samples for techniques if need be, please note samples are indicative of technique not chosen colour palette).

Outfit one;
Quilted wool acrylic blend jacket, lined.
Light weight merino long sleeve tee, angular hemline.
Silk pant, elasticated at the waist and hem, zigzag embroided with contrasting bright green thread, featuring side angle pockets.

Outfit two;
Wool, Nylon and Polyester blend jacket.
Boiled Merino cardigan.
Medium weight Merino long sleeve dress.

Outfit three;

Wool Acrylic blend jacket featuring Jigsaw Triangular pattern - Lined 
Medium weight Merino long sleeve dropwaist pleated dress.
Boiled Merino long cardigan.

Outfit four;

Lightweight Merino long sleeve cropped tee featuring cut-out shoulders.
Cotton Viscose blend trouser featuring digitally printed Cotton Viscose knee section and cuff - tailored fly, front waist darts and side angle pockets.

Outfit five;

Wool Acrylic blend cape, bound arm opening and invisible side seam zip.
Medium weight Merino longsleeve tee.
Ruched Poly-cotton, Spandex and Nylon blend pant. Elasticated waistband.

Outfit six;
Wool, Nylon and Polyester blend jacket with contrasting lapels
and angular hemline.
Light weight Merino longsleeve tee featuring angular hemline.
Cotton Viscose digitally printed trouser, side angle pockets, tailored fly.


Outfit seven;
Wool, Nylon and Polyester blend jacket with contrasting double lapel/shoulder cover and angular hemline.

Medium weight Merino dress featuring digitally printed section.

Outfit eight;
Wool Acrylic blend jacket featuring triangular jigsaw pieces - (technique sample in sample binding). Also featuring contrasting digitally printed lapels.
Light weight Merino longsleeve cropped tee.
Ruched from the knee down, Poly-cotton, Spandex and Nylon blend pant. Elasticated waistband.









Technique Samples

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Below technique is also featured in the lapels on look three.
This is printed on a polycotton fabric because that is what worked best with the printer, but ideally it would be printed on the Cotton Viscose blend featured above and in my fabric swatches section.
Also note: the beginning didn't print properly, the section of non printed fabric is obviously a mistake and not meant to be there.

Final Hand-In Boards

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Line Up


 Mood/Concept Board

 Illustrations



Range Plan / Specs

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Final Fabric Selections

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Please note: Fabrics are indicative of desired weight and handle, not desired colour palette. Colour swatches feature on the Colour Fabric Board.










SAMPLES

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upload old samples from A1 and then all new samples.


DON"T forget to put a copy of all work onto the blog


ANG RANGEPLAN

Colour and Fabric board

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Here are my two possible designs for my colour and fabric board. 
I think the first one is working better with the colour palette and helps the font to be enhanced more.



Illustrations with specs

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I added my specs to my illustrations - I found it difficult to ad them in and make them fit without adjusting the illustration composition - because I did not consider the spec drawings when constructing the composition of the illustrations.






Illustrations

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Below are my current illustrations, I think that they give off the right vibe of the collection and enhance the aesthetic well.








Moodboard #4

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I gave the moodboard a more crisp, sharp appearance with the use of a white background behind the figure.
I also got some feedback that there was a bit too much going on - as my collection is very busy but not that busy.

I think that it looks much better and conveys my idea much clearer. 





**** After speaking to Jen, she pointed out that moodboards should generally have initial inspiration images on them, so I have altered my mood board to the image below. I think it makes more sense as it shows where my ideas came from and will also correlate to my colour/fabric board to indicate where I chose the colour palette that I'm working with from. 
I'm really happy with how it has turned out and think it looks really cool, while conveying the attitude of my collection and still showing the initial source of inspiration. I may try adding some font possibly...
But for now it looks like this;



I have just re-considered and I think that the black is too harsh, so have altered it to the colour palette below.


Sample List

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Sample list 

Quilted jacket sample - done
Welted pocket sample - 
Joined triangle jacket sample - done
Top stitching sample - 
Top stitching zigzag pattern sample
Rouched pant -

Line Up #1

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Original Layout of the lineup
I think maybe I need to more the title of the collection and give the board more depth. 
Also maybe my line-up is too closely placed, and would be difficult to view from a distance?
Maybe I will try placing just 4 looks to an page.


I have made the title smaller, but I don't feel that it's really working?



I have added another layer to the background in-order to add more depth to the lineup.








In the image below I have changed the font in-order to ensure that it gels with my collection more, and have also moved it to the bottom so that the title/font isn't the main focal point, that the collection is.
I'm pretty happy with how it is looking now and feel it looks more professional and that the attention is drawn to the line-up and not the font, which is exactly what I want and need.

Class Notes 27th May

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Hand in info: WED 3-5pm

Boards printed A3-A4
Macro - overall concept e.g wellington vs tauranga my response
Mood - feel like
Aesthetic - what does it look like
These can all be on 1 board. 
The boards represent the collection in a visual way.

Have I communicated everything I need to communicate on the boards?

If i'm saying something in my drawings - have I re-inforced it on some way, a physical sample, another board or write it next ot the image.

All of the boards must work together as they're all part of the same story, they must be cohesive. 

Need to hand in fabric swatches as well as samples, samples on hanger w cardboard with info on it. 

Specs drawings to compliment the illustration, can be on another page, they can be any scale along side the illustration.
Illustration board - illustration can be just the line-up image but blown up if it is very nice. - Must be relevant for the middle market.

Physical hand in is just samples and printed boards.

Rational - Macro etc can be included in the synopsis. 


Mood board - could include a little text e.g Wellington vs Tauranga.. my home away from home?


Synopsis : Hand in physically and also on blog.

Everything thats handed in physically put it on your blog also. 

Rangeplan must be handed in on your blog - 

Look on FAQ on stream re how the Mood concept board should be e.g texture, fabric colour palette. Also re specs, only have to do specs on front view, but front and back of complicated garments.

Everything you submit is a chance to say something about the collection.

artsthread.com knit project for woolworths

Colour palette can be represented re quantity of amount dispersed in collection.


Specs on lasting longevity are too small.


Colour board can be along side colour palette, to show where i got colours from. Ensure every image says something about the collection.e.g lasting longetivity.


LINE UP BOARD - re-arrange title position.




SAMPLE of rouched pant - at least a rouched sample section - could do a half leg to help to describe aesthetic - I have enough fabric so may as well. 

Could do a welted pocket sample -

Written Work Development

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  1. WRITTEN SYNOPSIS:
    A: Written Synopsis: 500‐700words.

  2. 1: (initially developed from your text in the first assignment)
    Macro Concept: 100 words: What story are you trying to tell with your collection. Mood Concept: 50 words: How does the story feel?
    Aesthetic Concept: 50 words: How does this story look? Colour, texture, details, form,

    2: 300‐500words. Write about goals of this collection assuming you had all available CURRENT resources to do so. Consider and write about how the market impacts on your collection. Fabric choice, colour, finishing, textile treatments, complexity, labour use, specific technical challenges. Why are the methods, approaches you want to use appropriate? Why is it important? What are the names and approaches of other designers with similar goals as you? 


In synopsis mention samples: do want Digital printing but due to time and money restrictions I was not able to go ahead with printing. Mention somewhere that the last jacket is half quilted/joined, and the placket is digitally printed.




Macro Concept: 100 words: What story are you trying to tell with your collection.
Urban Tropics expolres the juxtaposition of my two very different homes, Tauranga and Wellington. Wellington being very much a man-made, angular concrete jungle, while Tauranga is more of a tropical, natural environment, surrounded by flowing organic lines.


Mood Concept: 50 words: How does the story feel?
This collection is not designed for the faint hearted. It contains a lively mix of vibrant tropical inspired colours juxtaposed with angular lines and geometric patterns, this collection certainly packs a punch and will add a lot of fun to any Winter Wardrobe.


Aesthetic Concept: 50 words: How does this story look? Colour, texture, details, form, 








Moodboard #3

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I quite like this moodboard as I feel it conveys the attitude and aesthetic of my collection, and the fact that it isn't for the faint hearted. 
I don't know if maybe it is too confusing and harsh on the eyes with all of the clashing patterns, lines and colours?

Investigation into illustration styles

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 Think the above style is really pretty and girly but not appropriate to my collection's mood.
 Really like the digital rendering on the above  image, how it still looks very 3D and not flat as my images tend to look when I digitally render them.

This is a real cool way to give the images perspective and place them in an appropriate setting.

 Think think the above image has the perfect amount of background and is given a good grounding in the image by the shadow/puddle below her.


 Great 'attitude' pose.





I think my illustrations will definitely need to have some edge to the poses in-order to convey the mood of my collection - which is not for the faint hearted.